Funny Women began in the UK in 2002, organized by Lynne Parker. Parker was sick of comedy spaces being dominated by men and the narrative that women don’t carry the same calibre of humour. Their goal was simple yet challenging: to see and support more women in comedy spaces.

The Chemical Valley Project is a production about the Aamjiwnaang First Nation on the banks of the St. Clair River, near Sarnia, Ontario, and the physical and emotional damage done to its people by the over 60 petrochemical plants and oil refineries operating in the surrounding area.

It’s September 2022, and I’m standing at the back of the Diving Bell Social Club, leaning up against the bar. The house lights have been dimmed, and the coloured stage lights flash with precise coordination, making for an ambiance that is at once intimate and exciting.

It was love at first sight, but before I saw it with my own eyes, I admit I was skeptical. When I was first invited to a comedy show at Espace Joie de Vivre, my friend's description gave me pause: it's in a basement. BYOB. The entrance is in the alley. I wondered aloud if we were going to someone's apartment, and my plus one wondered if we would be trapped in a stuffy room with cigarette smokers. Thankfully, we were both entirely wrong.

Performed at Agora de la danse, We All Fall Down Creations’ Dans Les Bras De Morphée is aimed at a young audience, and so I sat with Emery after the show to get his response to the vision and imaginative choreography by the brilliant Helen Simard.

If you’ve been living through the past however long now, you might’ve felt that collectively, we’re in need of a good laugh. A little something to take the edge off, a thing to smile and chuckle at to forget momentarily where we are or what we’re doing, a moment of levity in the sea of almost constant turmoil that is the current moment.